European Alternatives to DistroKid
Looking for a European alternative to DistroKid? DistroKid's Terms of Service name DistroKid LLC, a Delaware limited liability company, as the provider and are governed by the laws of Delaware, except where mandatory local consumer law applies. Its pricing page lists a Musician plan at €23.99 billed annually, so the service runs on a yearly subscription for as long as you want your catalogue maintained.
European distributors give the same store delivery under a Swiss, Swedish, German or English contract, and several change the pricing logic: one-time fees per release, a free tier with a revenue share, or label tools that DistroKid's plans do not centre on.
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10 European Alternatives to DistroKid
RecordJet
Lucerne distributor with one-time or yearly per-release fees
Record Union
Stockholm distributor with team workspaces and royalty recoups
Amuse
Stockholm subscription distributor with 120+ stores and royalty advances
EmuBands
Glasgow distributor with pay-per-release or monthly Premium
iMusician
Zurich distributor with 200+ platforms and a mastering tool
Feiyr
Bavarian distributor for music, eBooks and audiobooks
Horus Music
Leicester distributor with yearly plans and publishing options
RouteNote
Cornwall distributor with a free 85% plan and paid 100% option
Ditto Music
Liverpool distributor with yearly artist, Pro and label plans
LabelWorx
Hull distributor serving independent electronic music labels
Key takeaways
- DistroKid LLC is a Delaware company and its Terms of Service are governed by Delaware law, with mandatory local consumer law left unaffected.
- DistroKid's pricing page lists Musician at €23.99, Musician Plus at €42.99 and Ultimate at €81.99, each billed annually, with unlimited uploads and 100% of earnings kept on all three.
- According to DistroKid's Distribution Agreement, the one-year term renews automatically and the stores are told to remove your recordings after it ends.
- Feiyr (Germany) charges €3.82 per release plus a €9.90 activation and has no monthly or annual fee, but keeps 20% of revenue.
- Amuse (Sweden) sells three yearly plans from €21.99 with unlimited releases and delivery to 120+ stores, which is the closest match to the DistroKid plan structure.
Why people leave DistroKid
DistroKid is the distributor many independent artists start with, and its pricing page explains why: three yearly plans, unlimited uploads on every one of them and a line that says you keep 100% of earnings.
The Musician plan is listed at €23.99 per year for one artist or band, Musician Plus at €42.99 for two, and Ultimate at €81.99 for between one and 100. Around the plans sit extra products named in the terms: HyperFollow pages, Instant Share file sending, Mixea mastering, DistroVid for video and a streaming service called Slaps.
The contracting party is DistroKid LLC, a Delaware limited liability company, and the Terms of Service of 24 September 2026 are governed by the law of Delaware.
The same terms add that mandatory local consumer protection stays in force, and they name the EU and UK regimes in the merch section. That helps with consumer rights. It does not turn the distribution contract itself into a Swedish, Swiss or German one, and the Distribution Agreement is a separate document dated 2021.
People who look past DistroKid are rarely unhappy with delivery. The usual reasons are practical: a yearly charge that never stops, a wish for a European counterparty, a release catalogue that is small enough that a per-release fee is cheaper, or a free tier that lets them test the water. The European distributors on this page answer different combinations of those points, and none of them is a copy of the DistroKid model.
- The subscription renews until you cancel, and the catalogue depends on it The Distribution Agreement runs for one year and renews automatically at the end of each annual period, charging your card, unless you terminate in the dashboard first. After the term ends, DistroKid notifies the stores to remove your recordings. Your music is therefore tied to a payment that has to continue. Several European services work differently: EmuBands sells a single for £15 that stays on stores, and Amuse says music stays live after a downgrade.
- A US contract with Delaware law Both documents name DistroKid LLC of Delaware, and the Terms of Service apply Delaware law except where mandatory consumer law says otherwise. If you want a counterparty that is subject to a European company register and a European court, the alternatives here are concrete: Amuseio AB in Stockholm under Swedish law, DANCE ALL DAY Musicvertriebs GmbH in the German commercial register, iMusician Digital AG in Zurich and recordJet AG in Lucerne.
- You cannot fix one track inside an album According to the agreement, a single track inside an album cannot be removed on its own. You delete the whole album and upload it again without that song. Custom ISRC codes are open to Musician Plus and Label accounts, while UPC codes are always generated by DistroKid. Horus Music lists free UPCs and ISRCs on its plans, and Feiyr sells optional ISRC and EAN codes for €0.85 and €0.95.
- The price logic has only one shape DistroKid prices the artist account and lets releases be unlimited. That suits a prolific artist and wastes money for someone who releases one single every two years. Feiyr charges €3.82 per release with a €9.90 one-time activation, RecordJet starts at €9 per release per year, and RouteNote lets a release sit on a free plan that keeps 15% of net revenue. These models do not exist on the DistroKid pricing page.
What you have to replace, not just match
Distribution itself is the easy part to replace: you upload audio, artwork and metadata, choose stores and the distributor delivers them. Each tool on this page does that. What you need to replace is everything built around the account. DistroKid lists royalty splits, a Spotify registered artist profile, daily streaming stats, synced lyrics for Apple Music, a customisable label name and release date and, on Ultimate, 1,000 GB of instant file sharing.
Check which of those you actually use. Splits exist at Record Union, Horus Music (per track) and Ditto Music (automatic splits, collaborators join for free). Mastering sits inside iMusician, Feiyr (AI mastering) and as an Amuse add-on at €5.49 per audio file. Pre-save pages are offered by Record Union at $7 per release, Amuse, Horus Music, Ditto Music and iMusician. Content ID is part of RouteNote, Feiyr, Ditto Music Pro, iMusician Rockstar and LabelWorx.
The second thing to replace is your catalogue, release by release. Each release keeps its own ISRC and UPC codes, so a move should keep the same codes if the new distributor supports it, otherwise stream counts and playlist positions can restart. RecordJet publishes a switching guide for artists who arrive from another distributor. Before cancelling DistroKid, line up the new delivery, because the old releases are taken down once the term ends.
The alternatives compared
| Position | Tool | Headquarters | Pricing | Jurisdiction |
|---|---|---|---|---|
| #1 | RecordJet | Lucerne, Switzerland | Basic: single €19, EP €29, album €39 one time (90% of revenue). Premium: single €9, EP €19, album €29 per year (100% of revenue). Excl. VAT | Switzerland (adequacy decision, outside the EEA) |
| #2 | Record Union | Stockholm, Sweden | Core from $14 per release per year (range $14 to 54); Pro $150 per year per workspace; Label on request. Prices as shown on the pricing page | EU (Sweden) |
| #3 | Amuse | Stockholm, Sweden | Artist €21.99, Artist Plus €35.99, Artist Pro €49.99, all billed annually; add-ons priced separately | EU (Sweden) |
| #4 | EmuBands | Glasgow, United Kingdom | Single £15, bundle of 2 to 20 tracks £30, Premium £7.50 per month billed annually; support packages £0 to £90 per year | United Kingdom (adequacy decision, outside the EEA) |
| #5 | iMusician | Zurich, Switzerland | See website (plan prices are not shown in the server-rendered page) | Switzerland (adequacy decision, outside the EEA) |
| #6 | Feiyr | Seeon-Seebruck, Germany | €9.90 one-time activation, €3.82 per release, €0 monthly and annual fee, 20% revenue share | EU (Germany) |
| #7 | Horus Music | Leicester, United Kingdom | Artist £20 per year, Labels £30 per year (2 artists), pay per release: single £25, EP £35, album £45 | United Kingdom (adequacy decision, outside the EEA) |
| #8 | RouteNote | Truro, United Kingdom | Free plan with no upfront cost (85% of net revenue). Premium: single $10, EP $20, album $30, extended album $45, then $9.99 per year per release | United Kingdom (adequacy decision, outside the EEA) |
| #9 | Ditto Music | Liverpool, United Kingdom | Starter $19 per year, Pro $59 per year, Labels $109 per year (as shown on the pricing page) | United Kingdom (adequacy decision, outside the EEA) |
| #10 | LabelWorx | Hull, United Kingdom | Pricing on request | United Kingdom (adequacy decision, outside the EEA) |
How each alternative compares to DistroKid
Best for: Artists with a handful of releases who want to pay for each release and not for an account.
RecordJet puts the price on the release. A single costs €19, an EP €29 and an album €39 once under Basic, with 90% of revenue paid out, or €9, €19 and €29 per year under Premium with 100% paid out. Against DistroKid that turns a flat yearly account fee into a decision per release, which is cheaper for a small catalogue.
The contract is with recordJet AG in Lucerne, which published its Swiss UID, against a Delaware LLC at DistroKid. The pricing page states the contracts are non-exclusive and can be cancelled with notice. It does not publish a store count, and promotion plus the First Class deal are quoted individually, so reach is something to ask about before you commit.
What RecordJet does better than DistroKid
- Pay once per release on Basic instead of renewing an account every year
- Swiss company and contract, not a Delaware LLC
- Published switching guide for artists arriving from other distributors
- Non-exclusive contract with cancellation by simple notice
Where RecordJet is a step down from DistroKid
- Basic keeps 10% of revenue, DistroKid keeps none
- No store count and no unlimited-release plan, so a large catalogue adds up
- Fewer bundled extras than DistroKid's HyperFollow, Instant Share and Mixea
Standout against DistroKid. RecordJet is the only tool here where you pick a one-time or a yearly fee separately for each release.
Best for: Managers and small labels who run several releases for several people in one place.
Record Union bills the Core plan per release, from $14 a year for a one or two track release up to $54 for a larger one, and the Pro plan at $150 a year per workspace that includes three releases. DistroKid's Musician Plus allows two artists on one account. Record Union's workspaces give members roles and permissions, and royalty splits and recoups are listed under royalty services.
The terms name DFP Group AB in Stockholm as the counterparty, and the about page dates the service to 2008. The trade-off is reach and price display: delivery covers 20+ stores, and pre-saves, rapid delivery and Content ID are charged per release, with prices shown in US dollars. The Label tier has no public price.
What Record Union does better than DistroKid
- Workspaces with roles and permissions for managers and teams
- Splits and recoups handled without a separate tool
- Payment is due only when a release goes out
- Swedish contracting entity
Where Record Union is a step down from DistroKid
- 20+ stores is a narrower network than most of the others listed here
- Add-ons billed per release make costs harder to predict than one yearly fee
- Dollar prices for a European buyer
Standout against DistroKid. Record Union lets you build a profile and set up releases without paying, then charges only when a release goes out.
Best for: Artists who release often and want a single predictable yearly price in euros.
Amuse is the nearest structural match to DistroKid. Artist costs €21.99 a year for one profile, Artist Plus €35.99 for two and Artist Pro €49.99 for three or more, each with unlimited releases and delivery to 120+ stores. DistroKid's Musician plan is €23.99, so the entry price is similar, while the middle plan is €7 cheaper than DistroKid's €42.99.
Amuseio AB in Stockholm is the contracting party and Swedish law applies, with the Stockholm District Court as venue. Amuse says music stays live after a downgrade, which answers the take-down point in the DistroKid agreement. Against that, there is no free distribution tier, advances go only to eligible accounts and mastering, video and cover licensing are paid add-ons.
What Amuse does better than DistroKid
- Swedish law and a Stockholm court instead of Delaware law
- Music stays live after a downgrade, according to the site
- Middle plan at €35.99 against €42.99 for DistroKid Musician Plus
- Release importer for moving a catalogue across
Where Amuse is a step down from DistroKid
- Several services (video, mastering, cover licensing) cost extra per item
- Payouts are shown after currency conversion and service fees
Standout against DistroKid. Amuse copies the yearly-plan shape of DistroKid but contracts under Swedish law and keeps music live after a downgrade.
Best for: Artists who want to compare buying a release once with subscribing to unlimited distribution.
EmuBands sells a single for £15 and a bundle of 2 to 20 tracks for £30, and a release paid this way stays on stores permanently. Premium is £7.50 a month billed annually for unlimited releases. Against DistroKid's €23.99 Musician plan, the per-release route is cheaper for a few releases, and the site quotes prices in pounds, euros and dollars.
The company is EmuBands Ltd, registered in Scotland under number SC290161, so a UK contract rather than a US one. Royalties can be requested at any time with no minimum and there are no takedown fees. The caution is that advanced features such as chart registration need a paid support package, and a lapsed Premium needs a fee to keep releases live.
What EmuBands does better than DistroKid
- Permanent single releases for a one-time £15 fee
- No minimum payout threshold and daily royalty payouts
- Prices available in pounds, euros and dollars
- No takedown fees
Where EmuBands is a step down from DistroKid
- UK entity, so outside the EU
- Support packages (£30 to £90) are needed for chart registration and other features
- Premium lapse requires a fee to keep releases live, similar to the renewal issue it replaces
Standout against DistroKid. EmuBands is the one distributor here whose single release stays on stores permanently after a one-time payment.
Best for: Artists who want mastering and editorial pitching in the same account as distribution.
iMusician states 200+ platforms and offers both per-release plans and Amplify subscriptions. Starter has a 10% commission, Rockstar and Amplify 0%. Mastering is done through Instant Mastering, editorial playlist pitching goes to teams at services such as Spotify, Apple Music and Beatport, and the account carries analytics. DistroKid lists Mixea for mastering and HyperFollow for release pages, but pitching is not on its pricing page.
The contracting entity is iMusician Digital AG in Zurich, with offices in Zurich and Berlin, and support runs in six languages. Plan prices were not readable in the page we fetched, so check them on the site. A credit system called Amps and tool access tied to higher tiers add a learning curve that DistroKid's flat plans do not have.
What iMusician does better than DistroKid
- Editorial playlist pitching and Content ID in the Rockstar plan
- Support in six languages
- Swiss counterparty with an imprint and a Zurich address
- Both per-release and subscription plans in one place
Where iMusician is a step down from DistroKid
- Prices were not visible in the plain page, so budgeting needs a visit to the site
- The Amps credit system adds a layer to learn
- Entry Starter plan keeps a 10% commission
Standout against DistroKid. iMusician puts mastering, editorial pitching and music analytics in the same account as delivery to 200+ platforms.
Best for: Hobby artists, DJs and authors who release occasionally and want almost no fixed fee.
Feiyr has no monthly or annual fee. After a one-time €9.90 activation, which applies once you pass 5 releases or 25 tracks, a music release costs €3.82 for all the shops you select, and YouTube Content ID is €0. In exchange, 20% of net revenue goes to Feiyr. For a catalogue that earns little, this beats paying €23.99 a year to DistroKid.
The counterparty is DANCE ALL DAY Musicvertriebs GmbH in Seeon-Seebruck, Traunstein register HRB 13330. The same platform distributes eBooks and audiobooks. Caveats: the 20% share grows with success, the site is German first with some German-only legal text, and no store count appears on the pages we checked.
What Feiyr does better than DistroKid
- No yearly fee, so a dormant catalogue costs nothing to keep
- German commercial register entry rather than a Delaware LLC
- Free YouTube Content ID
- Covers eBooks and audiobooks on the same platform
Where Feiyr is a step down from DistroKid
- 20% revenue share against DistroKid's 100% of earnings kept
- German-first site and legal text
- No store count on the pages checked
Standout against DistroKid. Feiyr is the only distributor here with no monthly or annual fee and a flat €3.82 per release.
Best for: Artists who want a low yearly price and a route into UK chart registration or publishing.
Horus Music charges £20 a year for the Artist plan with unlimited music to 100+ stores and £30 for Labels with two artists, which is below DistroKid's €23.99 at the entry level. UPCs and ISRCs are free, collaborator splits work per track, and registration with the Official UK Charts Company is listed on the pricing page.
The company is Horus Music Limited in Leicester, Company Number 05914312, established in 2006. Pay per release (£25, £35, £45) is available but has to be requested from support. Marketing, radio plugging and PR are sold separately. As a UK company it sits outside the EU, and the 100+ store figure is lower than iMusician or Amuse state.
What Horus Music does better than DistroKid
- Free UPC and ISRC codes, where DistroKid does not allow your own UPC
- UK Charts registration listed on the pricing page
- Publishing administration and sync available from the same company
- Yearly plan priced at £20
Where Horus Music is a step down from DistroKid
- 100+ stores against larger claims at iMusician and Amuse
- Pay per release is not self-service at signup
- UK entity outside the EU, with promotion as a paid extra
Standout against DistroKid. Horus Music lists registration with the Official UK Charts Company, which no other tool on this page mentions.
Best for: Beginners who want to publish first and decide on paying later.
RouteNote lets a release start on the Free plan with no upfront cost, paying out 85% of net revenue, and move to Premium when it earns enough. Premium costs $10 for a single, $20 for an EP, $30 for an album and $45 for 19 or more tracks, then $9.99 a year per release, and pays 100%. DistroKid has no plan without a yearly payment.
RouteNote Limited is registered in England and Wales under number 07210563, with its office in Truro. The pricing page is not rendered without JavaScript, so we took prices from its support article. The homepage mentions 50+ platforms, fewer than most others here, and prices are in dollars. Publishing and Content ID services sit alongside distribution.
What RouteNote does better than DistroKid
- A plan that costs nothing to start with
- Switch a single release between Free and Premium whenever you like
- Cancelled Premium renewal returns the release to Free
- Publishing and Content ID services in the same account
Where RouteNote is a step down from DistroKid
- 15% of net revenue on the Free plan
- Premium renewal is charged per release every year
- 50+ platforms against larger networks elsewhere
Standout against DistroKid. RouteNote falls back to the Free plan when a Premium renewal is cancelled, so a release does not simply disappear.
Best for: Songwriters who want distribution, publishing royalties and sync pitching under one account.
Ditto Music has three yearly tiers: Starter at $19 for one artist, Pro at $59 for two and Labels at $109 for up to five. All offer unlimited releases and 150+ platforms on Starter, and auto-split royalties let collaborators join free and withdraw their share directly. DistroKid's Musician Plus at €42.99 also covers two artists.
Pro adds sync pitching to TV and film, publishing royalty collection and YouTube Content ID. Ditto Ltd is registered in Liverpool under company number 03976764. The pricing comparison says keeping music in stores long term is free only on selected plans, so check what happens to Starter releases at lapse. Prices were shown in dollars and data location is not stated.
What Ditto Music does better than DistroKid
- Sync pitching and publishing collection offered on Pro
- Collaborators join for free and withdraw their own share
- Entry price of $19 per year
- Labels plan for up to five artists at $109
Where Ditto Music is a step down from DistroKid
- Sync, publishing and Content ID require the Pro tier
- Long-term store presence is free only on selected plans
- Dollar prices and no stated data location
Standout against DistroKid. Ditto Music is the one yearly-plan distributor here that sells publishing royalty collection and sync pitching in the same tier.
Best for: Electronic music labels that need accounting, Content ID and catalogue tools with distribution.
LabelWorx is not an upload-and-go distributor. It lists 360 label management, data insights, accounting tools to pay artists and manage contracts, monetised user-generated content on platforms such as Instagram, TikTok and Twitch, and a YouTube specialist service for Content ID claims. DistroKid centres on the artist account instead.
Label Worx Limited is registered in England and Wales under number 06729435 with an office in Hull. No prices or store counts are published on the pages we checked, so cost has to be discussed with the company, and the support target is 24 hours. A solo artist will find Amuse or RouteNote simpler.
What LabelWorx does better than DistroKid
- Accounting and royalty tooling for paying artists on a label roster
- Managed YouTube Content ID claims and audits
- Focus on electronic music labels with a back catalogue
Where LabelWorx is a step down from DistroKid
- No public pricing, unlike DistroKid's three listed plans
- Not aimed at solo artists
Standout against DistroKid. LabelWorx pairs distribution with accounting and contract tools meant for running a label roster.
What actually breaks when you switch
The first thing that breaks is timing. Your DistroKid year renews automatically and the agreement says stores are notified to remove your recordings once the term ends, so a late move leaves a gap in streaming.
Upload the catalogue at the new distributor first, request the same ISRC and UPC where the tool supports it, and cancel DistroKid only after the new releases show in the stores. Stream counts and playlist placements stay with the track only if the codes match.
The second is the extras. Splits, pre-save pages, lyrics sync and a Spotify registered artist profile are things you configured over time, and none of them travels with the audio. Plan an afternoon per release to recreate them.
Also check the new payout rules: EmuBands has no minimum threshold, Amuse shows earnings after conversion and fees, and Feiyr calculates its 20% on net revenue billed by the portals. If you owe DistroKid money, its agreement allows offsetting it against what it owes you.
What happens to my releases if I stop paying DistroKid?
The Distribution Agreement says the term lasts one year and renews automatically, charging your card, unless you terminate through the dashboard before the year ends. It also says that when the term is over, DistroKid will notify all digital stores to remove your recordings and will owe you only the money earned during the term. The agreement lets DistroKid offset a renewal fee against payments it owes you, at its own option.
Plan the move in the right order. Open an account with the new distributor first, upload the same audio with the same ISRC and UPC codes where it allows that, and wait until the new releases are live before the DistroKid year ends. Then cancel in the dashboard rather than letting the card be charged again. RecordJet has a switching guide, and Amuse has a release importer.
Is a free plan realistic instead of paying DistroKid every year?
RouteNote is the only tool on this page with a plan that costs nothing upfront. The Free plan keeps 15% of net revenue, so you pay with earnings instead of cash. Premium releases cost $10 for a single, $20 for an EP and $30 for an album, then $9.99 per year per release, and RouteNote says a cancelled Premium renewal sends the release back to the Free plan.
Whether that beats €23.99 depends on volume. A catalogue that earns very little loses almost nothing to a 15% share, whereas a release that earns a lot is cheaper on a fixed fee. Feiyr sits between the two: no yearly fee, €3.82 per release and a 20% share. Run your own numbers for the last twelve months before deciding.
Which one to pick
Choose by release volume. A prolific artist with many releases each year gets the closest match in Amuse (€21.99 to €49.99 per year, unlimited releases) or one of the yearly plans from Horus Music (£20) and Ditto Music (from $19). A label with several artists should compare Ditto Labels, Horus Labels, Record Union Pro and LabelWorx, and ask the last one for a quote.
Someone with one or two releases a year should lean on per-release pricing: RecordJet at €9 to €39 per release, EmuBands at £15 per single, or Feiyr at €3.82 per release with a 20% share. RouteNote suits testing with no upfront money. iMusician makes sense if mastering, pitching and analytics matter more than the cheapest fee. The EU-based contract options are Amuse, Record Union and Feiyr, while RecordJet and iMusician are Swiss and the others are UK.
Frequently Asked Questions
For a yearly artist plan, Amuse (Sweden, from €21.99 per year, unlimited releases) is the closest match, with Ditto Music (UK, from $19) and Horus Music (UK, £20) as cheaper yearly options. For a per-release fee, RecordJet (Switzerland), Feiyr (Germany) and EmuBands (UK) are the better fit. For a larger store network with mastering and pitching, look at iMusician. The right answer depends on how many releases you put out each year.
The tool pages list store networks rather than named services, and the numbers differ: iMusician states 200+ platforms, Ditto Music 150+ on Starter, Amuse 120+, Horus Music 100+, RouteNote 50+ and Record Union 20+. RecordJet, Feiyr and LabelWorx do not state a count on the pages we checked. If a particular store matters to you, check the store list of the distributor before paying.
Yes, on several plans. Amuse, EmuBands and Horus Music state that the artist keeps 100% on their paid plans, RouteNote Premium and RecordJet Premium return 100%, and iMusician charges 0% commission on Rockstar and Amplify. The cheaper entry options take a share: RecordJet Basic 10%, iMusician Starter 10%, RouteNote Free 15% and Feiyr 20%. The DistroKid pricing page also promises 100%.
It is European by geography and outside the EU. EmuBands, Horus Music, RouteNote, Ditto Music and LabelWorx are UK companies, so UK law and UK data protection apply, which the EU treats as adequate. Swiss companies (RecordJet, iMusician) sit under a Swiss adequacy decision as well. For a contract under EU law, the EU-based options are Amuse and Record Union (Sweden) and Feiyr (Germany).
LabelWorx is built for electronic music labels, with accounting tools and YouTube Content ID management, but publishes no prices. Record Union has workspaces with roles and a Label tier priced on request. Ditto Music has a Labels plan at $109 per year for up to five artists, and Horus Music has Labels at £30 per year for two artists. DistroKid Ultimate covers 1 to 100 artists for €81.99.
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