Klap

Klap is built around one job: it watches a long recording — a podcast, a webinar, a stream — and finds the moments worth clipping on its own, then reframes them vertically, captions them and posts them to TikTok, Instagram and LinkedIn. For a creator or a marketing team sitting on hours of raw footage and no time to review it, that automated selection is the actual product, not the editing that follows it.

ZIGG SAS, the company behind Klap, is registered in Maisons-Alfort near Paris. Pricing is Basic at $14 a month, Pro at $39 and Pro+ at $94, all billed yearly with roughly 50% off the monthly rate; every tier includes unlimited connected social accounts and analytics. The free option is limited to one clip, enough to judge the clip selection before paying, but not enough to judge the product on a real backlog.

Klap sits in the same space as Submagic, whose Magic Clips also pulls highlights out of long videos, but Klap is built around that selection step while Submagic is built around the captions and polish that follow it. Against Opus Clip and Vizard, the American incumbents in this specific niche, Klap's case is a French company under GDPR doing the same job; it does not edit as deeply as Submagic once a clip is chosen.

What Klap does well

• Finds clippable moments in long recordings automatically
• Vertical reframing, captions and posting in one pass
• Unlimited connected social accounts on every paid tier
• French company, EU jurisdiction under GDPR
• Annual billing saves about 50% versus monthly

Where Klap falls short

• Free plan limited to one clip
• Less polish on the finished clip than Submagic
• No disclosed founding year
• Monthly (non-annual) pricing not published

Standout feature. Klap finds the clip before you do: the one tool here built around automated selection rather than editing what you already picked.